It's the kind of game where every hand-polished element slots together into a head-spinningly ambitious structure and they combine into something you can only call visionary. It's the kind of game that players like me dream of: an enormous and deep and seemingly endless experience that's worth the investment and then some.
It's the kind of game that, in 1987, the young designer of the 8-bit Metal Gear may have dreamed would one day be possible.
Metal Gear Solid 5: The Phantom Pain is a dream game. Hideo Kojima's farewell to Metal Gear Solid is a dream: the best ever stealth game, and the high point of a remarkable series.
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